Dear iDEALS, Plumi explodes one of the mountainous landscape photographs she shot and produces DIY wallpaper for the left wall of the gallery.
Her interest at this point though goes beyond the obvious historical reference. The artist returns to the idea of intermediate space and aims to establish a link between the two sets of work (sculpture and photography). In front of this large dark mountain her abstract sculptures are challenged and redefined as forms within the landscape, while the photographic landscapes are deconstructed in order to be later recomposed in connection to the colorful sculptures that surround them. Interspace is thus imaginary. It becomes a mental area.
The space where every certainty is put into question. Images and
materials are investigated, their properties, limitations, strength and
correctness are tested and concepts such as the natural, the real, the
random and the preplanned are ultimately explored.
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